I thought I knew what I was doing
storyline

I thought I knew what I was doing

Elena

Margaret gave me three names two weeks ago. Three families. Three contact sheets with phone numbers and brief notes in her tidy handwriting — things like ‘Lupe: keeps everything in shoeboxes’ and ‘the Nguyens: two generations of photos, no labels.’ I thought I’d make the calls, introduce myself, ask a few questions, maybe schedule some visits. I thought it would feel like an extension of what I’ve been doing with Abuela Rosa’s archive all along. I was wrong about that.

I thought I knew what I was doing

I thought I knew what I was doing

The first call was an hour and forty minutes. The second ended with me crying quietly into my coffee while a woman named Dolores told me about her grandmother’s immigration documents she’d been keeping in a plastic bag inside a shoebox inside a closet for thirty years because she didn’t know where else to put them but she couldn’t throw them away. The third family hasn’t called back yet and I’m already a little nervous about what their story is going to be. By the time I finished I had three open notebooks on the counter — one per family, because they are genuinely that different in terms of what they have, what they need, and what ‘preserving history’ even means to them — and I just sat there for a while looking at all of it.

Three notebooks. Three families. One very humbling afternoon.

Three notebooks. Three families. One very humbling afternoon.

I’ve been thinking about what Margaret said months ago, about organizing her late husband’s collection: that there’s a difference between what’s historically significant and what’s sentimentally irreplaceable, and that the hardest part of the work is helping people understand their materials deserve both categories. I understood it intellectually when she said it. I understand it in my chest now. Dolores’s plastic bag of documents isn’t a filing problem. It’s thirty years of not knowing whether her grandmother’s story was worth taking up space. That’s not something I fix with archival tissue and labeled boxes. That’s something I have to earn the right to help with. I wasn’t ready for how much weight that would feel like. But I also don’t think I’d trade it.

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